review
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The Voidz’s everything-and-the-kitchen-sink approach to rock music results in a vibrant sophomore album.
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My Dear Melancholy, is The Weeknd’s least adventurous set of songs since Kiss Land.
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Though it could be more consistent and substantial, this debut album from Superorganism will probably go down as one of the year’s most creative pop projects.
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New Material is Preoccupations’ most lackluster album so far.
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Royce da 5’9″ and DJ Premier’s second outing as PRhyme is a more versatile effort than the first, with Premo’s varied production stealing the show.
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Jack White’s Boarding House Reach is his most unorthodox stroke of genius since going solo.
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Phil Elverum’s songwriting enters purposefully rambly territory on Now Only, a worthy epilogue to last year’s A Crow Looked at Me.
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Aaron Turner’s Sumac joins forces with legendary noise rock experimentalist Keiji Haino for an hour’s worth of mind-melting post-metal jams.
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The Neighbourhood incorporates more elements of synthpop and alternative R&B on their self-titled album, which is about as drab as what came before it.
