review
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Scorpion continues Drake’s streak of projects that have been padded out to oblivion.
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The level of artistic freedom Trent and Atticus give themselves on the somewhat uneven Bad Witch is more exciting than just about any Nine Inch Nails release since 2008.
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Freddie Gibbs’ eponymous mixtape mostly finds the rapper spinning his wheels.
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For the most part, Rico Nasty’s, well, nasty persona is enough to carry this breakthrough album. Just hoping she can show a bit more versatility on future projects.
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Though structurally jarring, SOPHIE’s full-length debut is an unforgettable and potentially DNA-altering pop album.
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On most tracks, not even Kanye’s excellent production is enough to save Nasir from Nas himself.
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The only commendable thing about Red Light is that it’d be almost impossible to parody with a worse sounding version.
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This debut collaboration between British singer-songwriter Laura Marling and Tunng co-founder Mike Lindsay delivers some texturally unique folktronica.
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The debut album from this Melbourne supergroup is rife with wry political commentary and colorful post-punk arrangements.
