review
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Bring Me the Horizon’s blend of pop, electronics, and what remains of their metalcore edge is surprisingly admirable on amo.
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Why Hasn’t Everything Already Disappeared? is hands-down the blandest entry in Deerhunter’s discography.
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For a covers album orchestrated by a popular rock band, The Teal Album could’ve turned out much worse.
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Synth funk and alternative R&B aesthetics clash on Toro y Moi’s latest album.
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Remind Me Tomorrow is a little all over the place in terms of style and pacing, but is nevertheless another solid set of songs from Sharon Van Etten.
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Despite being bookended by a few awkward detours, Assume Form contains James Blake’s best writing and production since the earlier part of this decade.
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While not Future’s most cutting-edge release, The WIZRD is packed with great production, sticky hooks, and consistently electrifying vocal performances from Future himself.
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The EPs that comprise TDT, while very much listenable, pale in comparison to Big K.R.I.T.’s prior work.
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Marquis Hill and his band come through with a vibrant blend of dynamic jazz and conscious hip hop on Modern Flows, Vol. 2.
