review
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PUP solidifies itself as one of this decade’s best pop punk acts with Morbid Stuff.
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New York’s Show Me the Body drops a ferocious set of banjo-backed punk ragers that are equal parts explosive and unsettling.
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Weyes Blood comes through with an immaculately produced and performed baroque pop album in Titanic Rising.
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Listening to Doko Mien is like hearing Ibibio Sound Machine’s great sophomore album Uyai all over again, albeit in a slightly diminished capacity.
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Hiding Places is Billy Woods’ most personally cutting project so far.
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Though far from a bad album, Panorama finds La Dispute’s idiosyncratic style becoming an albatross around the band’s neck.
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The Comet Is Coming is doing its part to bring jazz into the next decade.
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It’s a shame that the popularity and promotion behind Billie Eilish has poisoned the well a bit, as When We All Fall Asleep is actually an artful, well-crafted, and unique pop album.
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Supermarket is Logic’s very own Speedin’ Bullet 2 Heaven.
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Following a disappointing comeback album in 2016, American Football shows promise once again with the dreamier LP3.
