review
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IGOR is easily one of the best breakup albums of the decade.
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U.F.O.F. is mostly listenable—if a bit derivative—indie folk with a few flashes of brilliance sprinkled throughout the tracklist.
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Vampire Weekend embraces quantity over quality on Father of the Bride.
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Mac DeMarco pares his songwriting down to something more minimal on Here Comes the Cowboy, losing a lot of personality along the way.
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Confessions is far and away Logic’s worst rap album.
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A Quiet Farwell is an inventive and consistently stimulating collage of underground hip hop and various strands of abstract music.
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Gus Dapperton’s debut album is a shoddy mix of all the most agreeable sounds to have been popularized in the indie scene over the past decade.
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Fishing for Fishies is a fun and eco-friendly boogie rock odyssey.
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Anger Management finds Rico Nasty continuing to be one of the boldest voices in the current rap landscape, but the project’s brevity is unfortunately to its detriment.
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CrasH Talk sounds strangely dated and is a disappointingly safe effort from Q following Blank Face.