republic
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While arguably more metal than the first two volumes of City Morgue music, Toxic Boogaloo still feels like a step down for the duo.
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Aminé sees improvement on all fronts on his sophomore album.
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Taylor Swift continues her upward artistic trajectory on folklore.
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Despite some questionable guest spots and stylistic detours, Pop Smoke’s commercial debut showcases much of what made him such a unique voice in modern hip hop.
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SosMula and ZillaKami diversify their sound on City Morgue’s second album.
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Post Malone loses focus on his sophomore album.
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If Lover were about five tracks shorter, it’d probably be Taylor Swift’s best album yet.
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Sweetener is no longer Ariana Grande’s strongest album.
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Despite being bookended by a few awkward detours, Assume Form contains James Blake’s best writing and production since the earlier part of this decade.
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Despite being Ski Mask the Slump God’s debut commercial album, Stokeley is about as brief and inconsistent as the mixtapes leading up to it.
