rap
-
Travis Scott continues pushing the psychedelic boundaries of trap on Astroworld, but doesn’t quite stick the landing.
-
TA13OO‘s three-act concept could have used some fleshing out, but the music at the core is easily Denzel Curry’s best yet.
-
Head in the Clouds blends into the current wave of trap-flavored pop rap a little too well.
-
Busdriver’s latest may appear ambitious in scope, but Electricity is on our Side only offers a less prepared version of the enigmatic rapper.
-
Haru Nemuri’s debut album pushes J-pop/rap in an exciting direction by channeling Japan’s rich history of underground rock music.
-
Everything Is Love relies too heavily on its star power to feel anywhere near as consequential as Lemonade or 4:44.
-
The fuck am I looking at—a Brockhampton music video that’s not in 4:3? Y’all were right: RCA changed them! Piss-take aside, “1999 WILDFIRE” is the All-American Boyband’s first official single of the year, promoting their upcoming album The Best Years of Our Lives, and it’
-
Sorry to run with the obvious music critic quip, but it is pretty hard to hear what’s so redeeming about Redemption.
-
Scorpion continues Drake’s streak of projects that have been padded out to oblivion.
-
Freddie Gibbs’ eponymous mixtape mostly finds the rapper spinning his wheels.
