rap
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clipping. lives up to hip hop tradition and pushes “noise hop” unorthodoxy on their sophomore album.
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Wu-Tang’s Ghostface Killah, Danny Brown, and the Toronto jazz fusion trio BADBADNOTGOOD all on the same track? Legendary. Just legendary! This track is basically a new 10″ single that’s being released by Lex Records. Also, make sure you’re caught up on the new BADBADNOTGOOD record.
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I’m gonna review this new Filthy Frank album. But first, let me take a selfie.
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The new Roots album is easily the band’s dreariest album yet, but it’s also their most inconsistent.
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TDE‘s Ab-Soul drops a new track titled “Stigmata,” featuring some dramatic bars from New York’s Action Bronson and a closing verse from Asaad. Every time a new cut drops from this dude, I just get more psyched for the full-length project he should be dropping this year.
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https://www.youtube.com/watch?v=7m0XfEIvVCk&list=PLhbqrlwJFLI-kvxBnWbiTYLkApEaIGbIi&index=1 After dropping with Madlib what will no doubt be a strong contender for the greatest hip hop album of the year (Piñata), Freddie Gibbs wasted no time teaming up for another noteworthy collaboration. This time, the Indiana
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Hellfyre‘s Open Mike Eagle drops some visuals on a brand new single titled “A History of Modern Dance.” The track features an eerie-ass beat from Jeremiah Jae, and some understated bars from Mike himself. This track is off Mike’s upcoming MMG album Dark Comedy. Keep an ear out
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Previously mentioned Bruiser Brigade MC Zelooperz has been dropping new tracks here and there for the past few months, and they’ve been nothing short of wild. It’s not his flow, but his over-the-top vocal delivery that’s gonna catch your attention. Well, that and his near-nonsensical lyrics–“bodybuilder
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West Coast rapper Blu seems to have fully recovered from the label drama that surrounded his last commercial release, No York. It’s no secret that his output has been a little rocky since then, but he seems to be back in full form on this new track from his
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West Coast rapper Blu seems to have fully recovered from the label drama that surrounded his last commercial release, No York. It’s no secret that his output has been a little rocky since then, but he seems to be back in full form on this new track from his