prog
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Though a lot more ambitious than The First Glass Beach Album, plastic death doesn’t see progress on all fronts. plastic death by glass beach
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The songwriting and performances on The Worm are kind of an iffy foundation for HMLTD’s conceptual and stylistic ambitions. The Worm by HMLTD
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It’s rare that a comeback rocks this hard. The Loser by Gospel
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Nicolas Jaar and Dave Harrington break their hiatus with a sound that’s a bit more rockin’.
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Tool’s comeback album Fear Inoculum is insufficient not only by the immaculate standards of the band’s past work, but by the standards of rock and metal music at large.
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Face Stabber is perhaps Oh Sees’ most ambitious album to date, but its protracted jams wear out their welcome before long.
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Though it’s a pretty solid work of modern psych, Smote Reverser isn’t the wall-to-wall excitement that Oh Sees’ last few albums have been.
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Murmur’s self-titled sophomore album is a impressively executed fusion of black metal and progressive rock.
