Pop

  • https://www.youtube.com/watch?v=Ljg6g7BAdQo I’m astounded by the level of bad-assery this new HAIM video reaches. But just what is it that makes it so damn captivating? The concept is simple – the three sisters are moving along (choreography courtesy of Fatima Robinson) to Days Are Gone

  • Over the course of running my YouTube channel, I don’t think I’ve reviewed any one band more times than I have Woods. Though I’ve thought their discography has had its ups and downs, it’s been interesting to watch this band’s approach to folk rock go

  • Charlift’s Caroline Polachek is releasing her solo debut, Arcadia, this April, except she’s doing it under the alias Ramona Lisa. She has released the title track, and be warned: This is a weird song, with almost nothing to do with her main band’s bouncy electropop. Ice cold

  • Joan as Police Woman has released an energetic new video for her recent single “Holy City” from her forthcoming fourth LP, The Classic. The video features a series of different setups, each behind a freshly opened curtain, in which Joan Wasser is dressed in a different get up, surrounded by

  • Avey Tare’s new oddly-named project releases its first song, “Little Fang.” This is much more straightforward than most of what we’ve come to expect from Tare, despite the slightly off-kilter vocal affect. A throbbing bass and summery guitar lead the way, with the drum beat giving the song

  • Inevitability by Goliad If you find yourself enjoying the pristine, banal plunderphonics of Oneohtrix Point Never as well as the woozy vocal inflection of a “sad rock” act like Porches. (or even Liars), then you might want to keep an eye on 19-year-old Bay Area musician Devlin Miski (a.k.

  • A series of brief reviews dealing in records I didn’t get a chance to do a full review over the past month. Here, I touch down on the latest records from Dum Dum Girls, Warpaint, Cities Aviv, Alcest, Young The Giant, and more! Thank you for watching!

  • Some strange, rhythmic, idiosyncratic music from Gum Takes Tooth. The video embedded above for the track “The Perfect Surface” was dropped late last year. From what I can see, the song doesn’t turn up on any of the UK-based duo’s previously released material. May this be teasing toward

  • The production is a little sloppy, but the latest Metronomy single comes off like a post-punk, new wave take on the sounds of Abba. I can see a bit of Gary Numan or B-52s influencing this track as well. The background vocals are endearing, the horn solo at the finish