Pop
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New York chiptune outfit Anamanaguchi are gearing up for another album cycle in 2015, and the title of this forthcoming release will be [USA]. While many automatically think of 8-bit music when the name Anamanaguchi comes up, the band’s last full-length touched down on a variety of genres: Japanese
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OK, OK, OK. Take a listen to this track. Recognize anybody? Yes, that’s Chicago rapper-singer Chance The Rapper‘s voice there. While he doesn’t get top billing on this track, he is very much a part of a four-person musical act called The Social Experiment. There’s been
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These guys are almost here, I promise. The anticipation for their debut album brings to light one simple truth: Viet Cong know how to build hype the right way. A strong EP, quite a few scorching singles, and most importantly, quality music have the collective music world drooling for their
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New York rapper-singer Azealia Banks’ repeatedly postponed album finally drops.
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When it comes to being stalked and held captive, I think we can all agree that it’s an experience we’d leave rather than take. And the wrinkly, green-haired character in Little Dragon‘s new “Underbart” video is so physically unsettling that I think he’d be the last
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Previously mentioned Boston art rockers Bent Knee will be dropping their latest record on the 11th, and we’re exclusively streaming until then on the site. We’ll be taking this down on November 12th, so give this thing a listen while you can, y’all.
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OH MY GOD! STOP BEING SO MEAN TO ALL THOSE CARS! HEY, YOU! HEY! QUIT IT! NO, DON’T SMASH ‘EM! NOOOOO! WHYY? C’MON, MAN! QUIT IT! Deerhoof‘s latest album is titled La Isla Bonita, and it just dropped via Polyvinyl Records.
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This Is Not What You Expect LP [OSR26] by Hartley C. White Hey, everyone! I hope you’re in a good mood today, because I’m going to introduce you to someone very interesting: Hartley C. White. This guy is a multi-instrumentalist, martial artist, poet, and songwriter that currently resides
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FKA Twigs drops some black & white visuals for the track “Video Girl,” which is one of many cuts off her stellar debut album LP1. Kudos to Kahlil Joseph on directing this thing, because it’s as gorgeous as it is unsettling. We’re essentially given images of what looks
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Weezer writes some of its best–and worst–songs in years.
