Pop
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Melody Prochet has bounced back with some of the freshest ideas coming out of neo-psych right now.
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Pretty much all the awkward kinks in The Internet’s previous albums evaporate on Hive Mind.
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Back to being a band, Dirty Projectors squanders a fair bit of potential on Lamp Lit Prose.
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serpentwithfeet’s debut album adeptly presents love in a simultaneously sweet and unsettling light, only occasionally being held back by some uneventful instrumentals.
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Florence + The Machine exercise a bit more restraint than usual on High as Hope.
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Still lacking a distinct voice as a singer and lyricist, Teyana Taylor is frequently outshined by her collaborators on K.T.S.E.
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The fuck am I looking at—a Brockhampton music video that’s not in 4:3? Y’all were right: RCA changed them! Piss-take aside, “1999 WILDFIRE” is the All-American Boyband’s first official single of the year, promoting their upcoming album The Best Years of Our Lives, and it’
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The Now Now is a pleasant mood album while it’s on—especially in comparison to Humanz—but it’s still relatively low-impact.
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Though structurally jarring, SOPHIE’s full-length debut is an unforgettable and potentially DNA-altering pop album.
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New York-based singer and avant-garde artist serpentwithfeet will release his debut album soil tomorrow through Secretly Canadian. The album’s singles so far have displayed the artist’s unique mix of soul and electronic music. The latest single, “seedless,” is co-produced with Clams Casino. serpentwithfeet’s trembling falsetto is here
