Pop
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Steven Wilson’s foray into a poppier direction isn’t as flat or pretentious as it threatened to be.
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The conceptual EP Heaux Tales seems to be a point of personal and artistic metamorphosis for Jazmine Sullivan.
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Plastic Beach‘s music and concept have aged scarily well over the years.
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For as stylistically cohesive and seamlessly flowing as We Will Always Love You is, it’s somehow a tale of two albums.
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Taylor Swift tops off 2020 with another solid helping of indie folk—in case anyone thought folklore was a fluke.
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Overproduction notwithstanding, Plastic Hearts stands out for bringing a bit of edge to the current 80s revival.
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While by no means a sophomore slump, Sin miedo may leave the listener a little too hungry for more.
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By the standards of both old and new disco, Kylie’s latest album is mostly middling.
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What Positions has in sensuality it lacks in the production quality and introspection of a thank u, next.
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Jean Dawson embodies the more adventurous side of indie on his sophomore album.
