Pop
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It’s all downhill after the first song.
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Taylor’s version of Fearless is a respectable endeavor, even if it doesn’t sway opinions on the original album.
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The bland and scant musical ideas don’t support DEACON‘s emotional weight.
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Even if it doesn’t stack up to Norman Fucking Rockwell, Chemtrails Over the Country Club is a solid songwriting statement from Lana.
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To Justice‘s credit, none of its songs are quite as bad as “Yummy.”
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El Madrileño is hopefully the beginning of an exciting new trajectory for C. Tangana.
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Genesis Owusu’s full-length debut is impressive, occasionally even overambitious.
