pop rock
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Muse’s foray into ’80s retro-futurism, while at times uninspired and gaudy even by the band’s standards, has resulted in their most palatable album this decade.
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Mania is one of the worst instances in the recent trend of mainstream rock bands trying to write EDM albums.
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Classics Week continues with a review of the best-selling album of all time.
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Noel Gallagher’s latest album is the mirror image of his brother’s – sonically adventurous but lacking in the songwriting department.
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Weezer indulge in millennial pop cliches on their most sugar-sweet album yet, Pacific Daydream.
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Beck’s latest album explores the bland limits of unoriginal, sanitized, millennial pop.
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Despite its promising singles, Wonderful Wonderful fails to come together as a cohesive artistic statement and really falls apart in the home stretch.
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On Rainbow, Kesha artfully reinvents herself without losing the fun, wild energy that made her such an appealing pop figure in the first place.
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The Haim sisters return with a front-loaded sophomore album.
