pop rap
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Head in the Clouds blends into the current wave of trap-flavored pop rap a little too well.
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Everything Is Love relies too heavily on its star power to feel anywhere near as consequential as Lemonade or 4:44.
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The fuck am I looking at—a Brockhampton music video that’s not in 4:3? Y’all were right: RCA changed them! Piss-take aside, “1999 WILDFIRE” is the All-American Boyband’s first official single of the year, promoting their upcoming album The Best Years of Our Lives, and it’
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Sorry to run with the obvious music critic quip, but it is pretty hard to hear what’s so redeeming about Redemption.
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Scorpion continues Drake’s streak of projects that have been padded out to oblivion.
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Ye paints a vivid picture of Kanye’s current state of self and, for as brief as it is, succeeds as an intimate exploration of family and mental health.
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Though Tear has its consistency issues and its concept is sacrificed for the sake of having something for everybody, BTS is making ambitious and passionately performed pop music that puts many of their Western contemporaries to shame.
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If there’s one thing I learned from SR3MM, it’s that the Rae Sremmurd brothers work better together.
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While the quality of Invasion of Privacy drops off a bit in the second half, it’s overall a promising commercial debut for Cardi B.
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Before the hype from “God’s Plan” dies down, Drake has changed pace with his new single “Nice for What.” The track features a prominent Lauryn Hill sample, and is clearly made for the dancefloor. The Canadian crooner blends his pop rap sound with a dusty old school vibe, making
