pop rap
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Beyoncé pulls out all the stops on HOMECOMING, a live album of epic proportions.
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Persona is missing the dramatic punch of BTS’s previous work.
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Death Race for Love delivers plenty of quality emo raps before succumbing to long album syndrome.
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Harverd Dropout sounds more refined and slicker than its self-titled predecessor, but is all the worse for it.
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10 years on from its initial release, Drake’s breakthrough mixtape remains a mixed bag, albeit a somewhat groundbreaking one.
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Meek Mill’s celebratory new album ends up being a mixed bag of mostly generic pop rap.
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Tyler, the Creator leaves an awkward and weakly assembled Christmas EP under the tree.
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The Sunset Tapes just sounds like it doesn’t matter.
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Oxnard has a stronger sense of direction than its predecessor and is a breath of fresh air in the current state of pop rap and neo-soul.
