pop rap
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Pusha T, Virginia rapper and one half of the famed hip hop duo Clipse, released some pretty potent singles before the drop of his new album here; however, the final product seems to be cut with a handful of weak tracks.
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Toronto rapper Drake is back with his 3rd commercial release, Nothing Was The Same. Here, Drake continues with his lyrical obsession with the tattered relationships of his past, which is fine, but he hops on a gauntlet of nutty trap beats on this LP that are less than flattering to
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A$AP Ferg’s commercial debut takes the trap-flavored tough talking to a new level of absurdism that’s just too fun to deny. WATCH THE REVIEW
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Tech N9ne’s Something Else might see the Kansas City rapper collaborating with a wider array of artists, but all of this networking hasn’t done much for Tech’s gaudy instrumentals and spotty lyrics. WATCH THE REVIEW
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Jay-Z returns to putting out rap albums with Maga Carta… Holy Grail, and raps about as well as you’d expect at this point in his career over some pretty fresh production. WATCH THE REVIEW
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Mac Miller’s followup to Blue Slide Park is an improvement on all fronts. While it’s not gonna be one of my favs for the year, Mac is seriously reaching for the potential that I’ve felt he’s had for a while with creative production choices, better flows,
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Drake drops a new track with Sampha that’s easily one of Toronto rapper’s best. Not only is it moving and introspective look into Drake’s current state of mind, but the tender beat and vocal contributions from Sampha set the tone perfectly. Enjoy!
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Tits 'N Explosions by Nocando A new collection of tracks from West Coast MC Nocando on Hellfyre Club, which is that same label that dropped those great Milo EPs earlier this year. Don’t go into this project expecting even roughly the same thing, though. What Nocando brings to
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Chicago rapper and singer Chance The Rapper comes through with a more ambitious mixtape with Acid Rap, improving upon his production, hooks, and recording quality. A lot of the beats on this project are impressive as hell, but Chance often puts hooks, ad-libs, and instrumentals ahead of the quality and
