plunderphonics
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Here’s a preview of Oneohtrix Point Never‘s purportedly dank new album Garden of Delete, out November 13 through Warp.
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Into the light by Infinity Frequencies Eerie and evocative soundscapes all over this new album from vaporwave artist Infinity Frequencies, out now on Dream Catalogue. This weekend we released a very special episode of TND Podcast! all about vaporwave, which you can check out here:
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Panda Bear remixes Eric Copeland. From Remixes, out now via DFA.
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https://soundcloud.com/oneohtrix-point-never/sets/rush-bubs Oneohtrix Point Never has just shared an outtake from R Plus Seven called “Rush,” supplementing it with a short-but-sweet collaborative track with A.G. Cook, founder of London label PC Music, which specializes in a brand of “bubblegum bass” that I’m not sure
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In a mix presented by LOGO Magazine, Brooklyn electronic music producer Maxo creates a medley-like series of remixes with one central theme: Limp Bizkit. With jittery rhythms and jazzy synth embellishments, Maxo reinvents one infamous Bizkit song after another, taking on some of their biggest hits: “Break Stuff,” “Rollin’,” “Nookie,
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Welcome To Warp Zone! (Tiny Mix Tapes 4-Hour Video Game Mix) by Nmesh Welcome to Warp Zone! [via Tiny Mix Tapes] NMESH, the alias of Kentuckian electronic music producer and ex-drummer Alex Koenig, is committed to the concept of the “guest mix” to an almost unhealthy extent. Consider the above
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https://soundcloud.com/primaryinformation/co-la-bb-burn Baltimore-based electronic musician Matthew Papich (a.k.a. Co La) is back with a new album that delivers more of the complex beats and disorienting samples that have intrigued us in his past work. Hegemony of Delete‘s six tracks offer subtle, digressive, and glitchy
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Neil Cicierega doesn’t just put out one of the most insane mashup albums of all time, but two of the most insane mashup albums of all time.
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People come up to me all the time, I mean, literally every day, and they ask me if I know of an album out there that gratuitously mashes a myriad of different pop tunes together in a violent, overwhelming display of digital editing. Now, I can finally say “yes” to
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Inevitability by Goliad If you find yourself enjoying the pristine, banal plunderphonics of Oneohtrix Point Never as well as the woozy vocal inflection of a “sad rock” act like Porches. (or even Liars), then you might want to keep an eye on 19-year-old Bay Area musician Devlin Miski (a.k.
