Jazz experimentalist Matana Roberts drops a 10-minute solo sax piece that’s as moving as it is winding. Despite a lack of boundaries due to a lack of other instruments on the track, Roberts stays incredibly sharp and focused in her playing; not letting a single moment here pass by
While it isn’t as creepily textured as Stott’s beloved Passed Me By EP that dropped last year, the mood he creates on these sound-rich and minimal techno tracks are mostly captivating. WATCH THE REVIEW
Darkened songstress Chelsea Wolfe tries her hand at crafting a set of acoustic songs on her latest release. WATCH THE REVIEW
With a few catchy riffs and a recording full of harsh, abrasive distortion, the new Hoax EP is worth checking out for any punk fan. WATCH THE REVIEW
With an instrumental produced by Hostage and Kidnap Kid, here’s a video for the Lulu James track “Be Safe,” which comes from an EP she dropped earlier this year titled Rope Mirage. It’s a sweet piece of modern soul with a contemporary set of electronics backing it up.
DIΛMOND SPECTRUM by HYDRABADD A bunch of sharp, diamond-cut bangers on this new HYDRABADD EP, DIΛMOND SPECTRUM. Give a listen to it via the widget above, and download it for whatever price you’d like on Bandcamp. Also, the 2nd instrumental on this EP was previously used on this Oddyssey
Minneapolis rapper and Doomtree member Stefon Alexander, a.k.a. P.O.S, drops a new video for the track “Get Down,” which comes off his latest album, We Don’t Even Live Here. The album is out now on Rhymesayers.
As Danny Brown’s progressed past last year’s XXX, he’s taken his more excessive side and thrown it into overdrive. He’s managed to stay personal with tracks like “Grown Up,” but “Witit” is definitely the high-water mark of this incoming tide of rhymes that pile drugs and
Blu & Exile drop a video for “Maybe One Day,” which comes from the recently reviewed Give Me My Flowers While I Can Still Smell Them. Look for this LP on Dirty Science.
_ _ by BNNT BNNT is a Polish rock outfit, but I wouldn’t say that really has any bearings on enjoying their new album, because their chaotically noisy sound and weird personality, I’m sure, will translate universally with modern music listeners. BNNT works about every angle they can to delivery
