Earlier today, indie electropop artist iamamiwhoami has come out with a gorgeous new video and song called “Fountain.” iamamiwhoami is still wearing her influences – like Björk and The Knife – on her sleeve, but the glimmering synth and her voice add up to something too majestic to be denied. Enjoy! Catch
Casey Dienel’s White Hinterland project has been extremely quiet since the release of their last LP, the great Kairos. Now, four years later, Dienel is ready to release the project’s third album, Baby. The first track to drop from it, “Ring the Bell”, sounds like a natural progression
A gorgeous drone from Scottish music producer Steven Shade a.k.a. Sevendeaths, which comes from his latest LP, Concreté Misery. In a perfect world, this track is how the collaboration between Tim Hecker and Daniel Lopatin collaboration that dropped in 2012 would have sounded. Sporadic synth sequences lay against
Electronic music experimentalist Holly Herndon has a new 12″ that’s dropping this week via RVNG Intl. titled “Chorus.” As to be expected, this track is loaded with some adventurous vocal manipulations bustling percussion. It’s hard to put this track into words, it’s hard to make sense of
Stream: Big Ups – Eighteen Hours of Static Eighteen Hours of Static, the debut LP from New York punk outfit Big Ups, is a refreshing half hour of caustic and cathartic post-hardcore. The mix here is muddy, the playing is messy, and the vocals of frontman Joe Galarraga are manic – often
Designer clothing retailer SSENSE presents another formless composition from experimental electronic artist Arca that will leave you scratching your head. Set to some equally amorphous, “WTF”-inducing visuals from Jesse Kanda, “Fluid Silhouettes” is a real trip, nobly blurring gender lines, but coming off just a bit creepy all the
Beck suddenly drops a folky new single, which teases toward his next LP, Morning Phase. The album is currently looking at a February 25th release date, and I’m not entirely sure how excited I am at this point. While One Foot In The Grave–Beck’s freak folk opus–
Murmur’s self-titled sophomore album is a impressively executed fusion of black metal and progressive rock.
Nils Frahm’s latest album showcases a series of live performances, pushing a lot of previously written material to the limit with longer song lengths and intense playing.
Producer Lee Bannon fully transitions into a different sound on this new record, distancing himself from the hip hop beats he’s most known for. While he sounds completely at home making jungle and breakbeat, I was hoping he’d redecorate a bit more.
