Sunn O))) & Ulver come together for a collaborative album whose recording process has been ongoing since 2008. Despite the short length of this thing, Terrestrials shows a balanced fusion of each artist’s sound.
While Temples’ shows a sincere appreciation for psychedelic pop on their debut album, the band does very little to deliver novel ideas or exciting performances.
New York’s Artificial Brain comes through with a galactic take on technical death metal on their debut album.
https://www.youtube.com/watch?v=Ljg6g7BAdQo I’m astounded by the level of bad-assery this new HAIM video reaches. But just what is it that makes it so damn captivating? The concept is simple – the three sisters are moving along (choreography courtesy of Fatima Robinson) to Days Are Gone
Some dark, fiery R&B from this new, collaborative track from Shlohmo & Jeremih. The vocals on this track are emotive, pained, and featured a splash of reverb a la the Weeknd. While I do see some obvious stylistic similarities, this song really separates itself form that with the
Wolfe and Dude find themselves in the midst of an atmospheric, tortured duet that calls out to the likes of Nick Cave or Michael Gira. If you like your folk with a gothic edge, then hop on this quickly. The song streaming above is a part of a forthcoming 7″
Over the course of running my YouTube channel, I don’t think I’ve reviewed any one band more times than I have Woods. Though I’ve thought their discography has had its ups and downs, it’s been interesting to watch this band’s approach to folk rock go
death by burning by mantar The latest full-length album from the previously mentioned Mantar is now available for streaming via the widget embedded above. Various shades of metal play into this ten tracks on this record: death, black, sludge, doom. And some of the riffs here have a faint rock
Noise rock outfit White Suns drops a new song and video with “Carrion.” The track delivers the band’s usual blend of dark, tortured poetry and abrasive rock instrumentation. There are loads of loose, twangy guitars and sputtering shots of feedback set against sporadic drums and heavy bass notes. There’