Illinois rapper Lil Herb seems to be the hotly anticipated lyrical messiah to come out of the currently hot Chicago drill scene.
Lana Del Rey drops a new single in promotion of her forthcoming album Ultraviolence.
This sophomore LP from Brisbane band IDYLLS is one of the most twisted, extreme records I’ve come across this year.
HAH! Jack really came through on this new one. At first, I was a little on the fence about this whole solo thing, but he’s really starting to convince me on this latest single of his, “Lazaretto.” Yeah, I understand that his voice, guitar tone, songwriting style hasn’t
Never heard of the Darcys before, but they definitely know how to pull together an epic, 21-minute instrumental! Hymn For A Missing Girl is the Halifax band’s latest offering right here, and it was a 500 LP offering this past Record Store Day. There might still be some copies
Cakes Da Killa collaborator Big Momma drops a new mixtape titled The Plague. Much like with Cakes, you’re gonna catch a lot of speedy flows over complex production. However, Momma doesn’t sound too uncomfortable on top of some moody, atmospheric beats as well. Download the mixtape here. Enjoy!
Charle Brwn – EP by deM atlaS Technically proficient Minnesota rapper deM atlaS comes through with some speedy flows and thoughtful bars on this latest EP of his, Charlie Brwn. Enjoy!
Count (Single) by Hanz Experimental dance vibes aplenty in the new single from the previously mentioned, Hanz. Beginning with an introduction that sounds like a sample grabbed from Iggy Pop’s The Idiot, and continuing into a deep, eerie synth groove that Hanz adds and takes samples away just as
Summer is near and the latest single from folk/country band The Felice Brothers has it coming a little nearer with ‘Cherry Licorice”. Accompanied by some twangy vocals akin to Bob Dylan at closest example. The real stars of the tracks are the fun loving vibes that are altogether silly
https://www.youtube.com/watch?v=1jSdTBGhDSg “Oxygen” is the second single to drop from Swan’s latest epic To Be Kind (after last month’s stellar, staggeringly funky “A Little God in My Hands”), and it is among the fiercest and most thrilling moments of its two-hour-plus runtime. It
