[2014] Lime Veins Bleed Rust by Karst [Orchestra Miskolc] Try out this track from the forthcoming KARST album. These guys fuse black metal and punk, and do a helluva job! The production is rawer than a skinned knee, the the vocals are absolutely ferocious. The black metal influences provide just
New York MCs Billy Woods and Elucid are teaming up once again as Armand Hammer. They’ll be dropping a new EP soon, and the track “B.E.T.” will be one of the tracks featured on it. The title: Furtive Movements, and it’s dropping August 5th. Like usual,
How To Dress Well releases its most intimate-sounding album yet with “What Is This Heart?”.
For months, there’s been talk of an full-length collab between DOOM and Bishop Nehru, and we’re getting the first taste of it with the song embedded above, “OM.” DOOM is a seasoned underground vet that’s known for his eccentric rhymes, classic output, and ominous mask. However, Nehru
Yeah Yeah Yeahs front woman Karen O recently announced her first solo album, Crush Songs, and everyone was wondering what it would sound like. Would it just be another YYYs album? Well, here comes the first taste, a song called “Rapt,” and for those who have been paying attention to
Technical death metal band Fallujah delivers its sophomore album.
https://soundcloud.com/janusberlin/lotics-damsel-in-distress I’m starting to believe that Damsel in Distress, the latest offering from Berlin-based electronic music producer Lotic, has the potential to be the most compelling EP of 2014. The project spans 12 tracks of hard-as-hell, club-terrorizing beats, with a confounding but brilliant recontextualization of
With more motifs and musical dead-ends than legitimate songs, the new Shabazz Palaces album is suffocated with a surprising amount of filler.
Baltimore noise rock band Dope Body drops a track from their forthcoming album, Lifer. It’s looking at a release this October on Drag City Records, just like their last album, and this new track of theirs is a heavy, wild piece of rock ‘n’ roll. While it’s not
Morrissey’s latest album feels more ideological than it does musical. Which is fine, I guess, if all you care about is what Morrisey thinks.
