https://soundcloud.com/krillband/torturer/ Melding elements of punk rock, loads of both metal and garage rock influences and a dash of poppy, melodic lyrics and undertones, Krill’s “Torturer” from the forthcoming album A Distant Fist Unclenching is rousing and bludgeoning, yet focused in its wild need to be
With some pretty creative production backing him, Atlanta rapper OG Maco’s exuberance and extreme delivery distract from his need for better lyrics much of the time, but not all the time.
Normally, I wouldn’t make such a big deal over a demo, but this new track from the one-woman black metal project known as “Myrkur” comes with a pretty interesting announcement: Not only is the cut embedded above going to be featured on the forthcoming Myrkur LP on Relapse Records
I recently reviewed the new Shady XV compilation with Mr. Steven Francis, and I remember commenting on how much of a letdown the “Detroit vs. Everybody” cut was. While there were come decent verses on the track, the list of featured MCs seemed kind of limited. However, this new official
Death Grips drop a new single to tease toward the second half of their yet-to-be-completed double album, The Powers That B.
Foo Fighter’s match this album’s ambitious concept with some generally uninteresting songs.
Death Grips drops a video single for the first track to be released from their forthcoming album, Jenny Death, which is also the second half of their yet-to-be-completed double album titled The Powers That B. I reviewed the first installment earlier this year. While it is my job to keep
Only a Shlohmo track can give you the sense of being stuck at the bottom of a deep well and then turn that well into a place of almost womb-like serenity. The L.A. producer just premiered a single to be released March 17 via a collaboration between True Panther
Released earlier this year, Liars’ diverse but focused project, Mess, received average to good reviews, mostly because even though it was interesting, progressive and at the same time still quite retro, they did little to stray from their usual early 2000s dance punk sound. The intro track “Mask Maker” led
https://soundcloud.com/polyvinyl-records/of-montreal-bassem-sabry-1/s-EMF9j I distinctly remember the term “asexual beige” being idiotically lobbed at of Montreal’s last record, Lousy with Sylvianbriar. The band’s subtle subversion of blues rock on that project definitely wasn’t what many were expecting after the manic chamber pop of Paralytic
