Sincerely, Future Pollution finds Timber Timbre taking their sound in a more synthetic direction without conjuring the mood that made their past couple of albums so alluring.
While not a full commitment to its titular concept, 50 Song Memoir is The Magnetic Fields’ most charming and ambitious album in over a decade.
DAMN. is one of Kendrick’s most intriguing releases yet, delivering a series of tracks that are chaotic, layered, and deeply conflicted.
The wait is over (well, for some of you) – here I am ranking Radiohead’s studio albums from worst to best! Like last time, I’m trying to take into account my own preferences and how pivotal each album has been to the band’s artistic evolution. Enjoy!
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week. But first can we talk about how the new Fast and the Furious soundtrack is a steaming pile of shit?
This debut Chainsmokers album is like wading through a kiddie pool of emotions.
Arca’s voice is a welcome addition to her otherworldly production style on her self-titled album, but sadly, many of my reservations about her past full-length efforts still stand.
The Far Field, the fifth album from NC synthpop trio Future Islands, is a serious case of musical déjà vu.
Father John Misty delivers an ambitious and grand statement on the human condition with Pure Comedy, one of 2017’s most necessary albums.
Joey Bada$$ comes through with his most mature album yet, passionately dissecting the state of black people in present day America.
