After a couple reputable albums of the post-hardcore persuasion, Title Fight decides to shoot for a dreamier, hazier, more apathetic sound.
Marilyn Manson releases one of his most personal and a intimate records yet with The Pale Emperor.
With redundant instrumentals and forgettable vocal melodies, much of the new Panda Bear record is too drab for words.
Sleater-Kinney is back with a new record after ten years of studio album silence.
Viet Cong picks up the pieces left in the demise of Women, and pulls together some great–but very similar–material on their self-titled release here.
Death Grips builds up to the release of it’s supposedly final album with an LP of instrumentals.
Of Montreal has just shared the second single off its upcoming LP Aureate Gloom. Lead “Bassem Sabry” certainly did enough to get us anticipating this album, this new track “Empyrean Abattoir” only managing to add to that anticipation. Give it a listen above and enjoy! Aureate Gloom is out 3
Popeth by Aaron Dilloway & Jason Lescalleet “Popeth” means “everything” in Welsh. It’s also the name of the latest collaborative full-length from enlightened noisesmiths Aaron Dilloway and Jason Lescalleet, properly following up their 2012 team-up Grapes and Snakes. Above, find Popeth centerpiece “Western Nest,” whose masterful bonding of lulling
Hypercolor by Hypercolor <a href=”http://hypercolorband.bandcamp.com/album/hypercolor”>Hypercolor by Hypercolor</a> Hypercolor is a NYC trio making its self-titled debut on “downtown” figurehead John Zorn’s Tzadik imprint later this month. Unsurprisingly, the threesome comprised of guitarist Eyal Maoz, bassist James Ilgenfritz,
To close out CLASSICS WEEK 2014, we’re diving into one of jazz flute’s biggest touchstones: Roland Kirk’s I Talk with the Spirits.
