Rich Brian shows more personality than many of his contemporaries on his debut project, but his sound is a bit too one-note to satisfy in a full-length context.
A buffet of shit: Justin Timberlake’s new album is most likely the most horrendous cross-section of contemporary sounds you’re going to hear this year.
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
A quick, raw review of one of Guwop’s most cold-blooded projects in a long time.
Horrifying! Portal’s Ion is one of the most dystopian and sound-rich technical death metal records of the decade.
Sometimes cumbersome but mostly exciting, Ty Segall’s latest album is his longest and most ambitious yet.
Last month in his annual holiday letter, Mark Kozelek announced not one, but TWO new Sun Kil Moon albums that were in their final stages and would be released in 2018. The first of these is titled simply after the man himself and comes May 11 through Mark’s Caldo
Overloaded and underwritten, Migos’ sequel to Culture says more about the trio’s business model than it does the artform.
Anthony makes a remarkably timely return to the final version of Kanye West’s experimental opus, The Life of Pablo.