North Carolina rapper Rapsody’s newest album is a thoughtful tribute to black women, and her most ambitious concept to date.
Breakdowns galore on Knocked Loose’s death metal-infused sophomore album, though it’s sometimes hard to tell one from the next.
If Lover were about five tracks shorter, it’d probably be Taylor Swift’s best album yet.
GINGER is a return to form for the BROCKHAMPTON boys, albeit a decidedly downcast one.
Sleater-Kinney tries new things throughout The Center Won’t Hold and, more often than not, they don’t pan out.
Face Stabber is perhaps Oh Sees’ most ambitious album to date, but its protracted jams wear out their welcome before long.
King Gizzard takes a successful swing at thrash metal on their second album of 2019.
To say the least, ! does not follow through on the potential of Trippie Redd’s previous work.
The times when King’s Mouth sounds like classic Flaming Lips partly make up for the album’s spotty narrative development and pacing.
