While arguably more metal than the first two volumes of City Morgue music, Toxic Boogaloo still feels like a step down for the duo.
Immersion is a more compact and riffier helping of what Primitive Man served up on Caustic.
Microphones In 2020 is an instrumentally predictable but narratively thorough deep dive into the formative years of singer-songwriter Phil Elverum’s music career.
Picking the best song on Shadow Work, the bestselling new album by seminal post-grunge outfit Trapt, is no easy task.
NLE Choppa’s debut album is buoyed by his potential and a handful of hard-hitting highlights.
Dreamland is a nightmare of derivative and shallow-end indie trap pop.
Tkay Maidza’s latest EP is hit after hit after hit after hit.
Aminé sees improvement on all fronts on his sophomore album.
A round-up of Anthony’s favorite albums from the past month.
Chromeo’s quarantine-themed EP finds the duo at their most inspired and charming in a long time.
