Yola’s stunning writing and performances easily make up for Stand for Myself‘s general lack of novelty.
King’s Disease II capitalizes on all the potential of its predecessor.
Another enjoyable creative detour from Laura Marling and Mike Lindsay.
An interview with post-punk quartet Parquet Courts.
While many of Billie and Finneas’ strengths remain intact, Happier Than Ever is a much less cohesive listen than When We All Fall Asleep.
Saturday Night doesn’t sound quite as methodical as Jack’s work for other artists.
The House Is Burning, for the most part, is about as engaging as a lackadaisical buzz.
As a comeback project of sorts, Bobby Tarantino III isn’t particularly auspicious.
On his solo debut, Alexis Marshall takes the unremitting darkness of his work with Daughters in a dronier direction.
