Here we’ve got outsider appeal and undeniable catchiness. 100% PROD I.V. by LUCY (Cooper B. Handy)
Future Islands’ most vibrant album to date. People Who Aren’t There Anymore by Future Islands
Has the vibe of a RapCaviar shuffler, which works just as often as it doesn’t.
Just an OK addition to Benny’s catalog.
Rather than play things safe on Wall of Eyes, Jonny, Thom, and Tom turn the weaker aspects of their previous album into strengths. Wall Of Eyes by The Smile
Has all the strengths of the band’s previous album, while arguably getting to the heart of some more serious issues. It's Sorted by Cheekface
Though a lot more ambitious than The First Glass Beach Album, plastic death doesn’t see progress on all fronts. plastic death by glass beach
Sleater-Kinney’s comeback continues its meh streak. Little Rope by Sleater-Kinney
