Other
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What Black to the Future has in refinement, it ever so slightly lacks in the electricity of the group’s past work.
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Promises is a tasteful, spellbinding, and beautiful intersection of jazz, classical, and electronic music.
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The emotionally potent and timely Carnage finds Nick Cave and Warren Ellis letting loose with the aesthetic they forged on the previous Bad Seeds trilogy.
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Black Dresses go harder than ever before on their first post-disbandment album.
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Hayley Williams has transposed the derivativeness of her debut album to an indie folk context.
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Liturgy’s latest is a metaphysical big bang, turning Ravenna Hunt-Hendrix’s theological philosophy into a multifaceted experimental metal opera.
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Though some of Lamentations‘ pieces could have used some fleshing out, it remains one of the year’s most emotionally potent ambient efforts.
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Chris Stapleton returns with a clean slate of sorts and the year’s best country album.
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The Big Thief frontwoman comes through with a set of simply great songs.
