Other
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What Marchita has in concision it also has in beauty and emotional potency.
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Elliott Smith’s self-titled sophomore album is a devastating masterpiece of indie folk.
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Eternal Home is seriously impressive in its scope and eclecticism, almost overbearingly so in some pockets.
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Late to the party, but yeah, this is one of the year’s most adventurous pop projects.
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Arca has formed an impressive body of work with the KICK series.
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The songs on Delta Estácio Blues are quality, varied, and unlike much of anything else this year.
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Jane Remover presents some amazing ideas on Frailty, and hopefully clearer recordings in the future will allow them to shine even more.
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Madison is one of the year’s most beautiful and enigmatic records.
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The Path of the Clouds is easily Marissa Nadler’s most instrumentally dense solo project to date, which is mostly a blessing.
