Other
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“Ravens” is our second glimpse of Mount Eerie’s forthcoming album A Crow Looked at Me, and it’s every bit as devastating as the lead track, “Real Death.” Probably even more so when you take into account its considerably longer runtime and beautifully photographed video, which contains (among other
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Pharmakon’s latest single, “No Natural Order,” features what might just be her heaviest industrial noise composition and most piercing vocal performance to date. The track closes her third Sacred Bones album Contact, which drops March 31.
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The opening/title track from Jesca Hoop‘s Memories Are Now. The album is out now and marks the folksy and eccentric singer-songwriter’s first solo release for Sub Pop.
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Mouth Moods is Neil Cicierega’s most masterful mashup of meme music yet.
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Tom Waits’ seminal 1985 album Rain Dogs still stands as one of the most significant moments in his discography.
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This opening track from Childish Gambino‘s new album Awaken, My Love! announces a powerful change of pace – Donald turns in a killer vocal performance as he ventures into the world of psychedelic soul. Glad to say I’m finally hyped for a Childish Gambino project! The full thing drops
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Jesu and Sun Kil Moon’s contribution to the 30 Days, 40 Songs campaign is a progressive synth piece that contains a bit of political and technological commentary, but mostly focuses on Mark’s recent experience tributing Lou Reed. The song will presumably appear on the duo’s sophomore record
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Joanna Newsom commemorates the first anniversary of her fantastic 2015 album Divers by sharing a rare outtake that is pretty much of the same quality as most of the material that made the cut.
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Bon Iver returns with an attempt at fusing glitchy electronics and indie folk balladry.
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This has to be the worst album of 2016. I mean, it just has to be, right?
