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Hailing from Belfast, Northern Ireland, Girls Names are an ambitious indie pop band currently signed to Slumberland Records. While many of the bands signed to the venerable label are known for a dreamy brand of indie pop (e.g. Crystal Stilts, Frankie Rose, etc.), Girls Names distinguish themselves on their
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Dreamers Asleep at the Wheel by The Ambulars A solid display of indie rock power on this new collection of tracks from the Ambulars, Dreamers Asleep at the Wheel. Some pretty catchy hooks here, and a refereshing, youthful energy coming out of this maturing genre of music. Diggin’ it.
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Converge drops a full stream of their new album, All We Love We Leave Behind. It’s officially dropping next week on Epitaph Records. Enjoy!
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Some vintage pop rock with schizophrenic tendencies on this new Foxygen track, “Shuggie,” which is set to come off the band’s next album, which is ambitiously titled We Are the 21st Century Ambassadors of Peace & Magic. It’ll be out January 22nd via Jagjaguwar–you know, the same
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Compton rapper Kendrick Lamar has always been pretty proud of where he is, referencing it numerous times–in lights both positive and negative–in his songs. However, this new track is truly his biggest tribute yet, featuring the likes of Compton legend Dr. Dre on a few verses. Also, that
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The Bad Plus has been putting out records for over ten years now, and jazz has always remained a cornerstone of the band’s style during that time. However, it’s not like this trio is just a jazz project. While the band unarguably delivers improvisational music performed with drums,
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On Breakup Song, the experimental rock outfit Deerhoof–not Deefhoof, duh–goes, well, electronic, incorporating loads of synths, beats, and samples. WATCH THE REVIEW
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On Dark Time Sunshine’s latest LP, the abstract hip hop duo takes its Aesop Rock-inspired style and adds some blissful production into the equation. It kinda like the Postal Service of hip hop albums. Maybe you’ll like it! Check it out, my son. WATCH THE REVIEW
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Crystal Castles drops a new jam, teasing toward what should be the band’s third full-length album–which may be titled III. Again, like the track “Plague” that was dropped earlier this year, vocalist Alice Glass’ vocals are obscured by a low mix and loads of effects. A driving house
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Cold Cave pulls together a dark, moody, synth-driven post-punk ambiance on this new track, “A Little Death To Laugh.” You can read a bit ab out the band’s new lineup here, and expect a new album on the way next year.