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As a comeback project of sorts, Bobby Tarantino III isn’t particularly auspicious.
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Sweet Trip is mostly unaffected by the comeback curse on A Tiny House.
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Despite being backed by some pretty unremarkable production, Lil Baby and Lil Durk bring out the best of each other on The Voice of the Heroes.
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The additional instrumentation doesn’t always do Jubilee favors, but rarely distracts from Michelle’s strengths as a lyricist and performer.
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Nearly every song on Blue Weekend comes across as an overblown pastiche of 90s alternative and indie rock.
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Whereas both volumes of Musas were different beasts, Un canto por México vol. 2 mostly feels supplementary.
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The spacey, otherworldly by Kanye West on Pusha T’s latest single “Lunch Money” makes for the perfect antithesis to Push’s boastful coke rap lyrics, and sets the Virginia emcee up perfectly to release a new album that will make him worthy of being solidified as a true leader
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Nobody tell Sun Kil Moon‘s Mark Kozelek about this band or this video. If he called The War on Drugs beer commercial music, I’m not sure his mind could handle a band whose video essentially is a beer commercial. alt-J channel their escapist 90s soul in this video,
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When Kendrick Lamar dropped his latest single a few weeks ago, the hip hop world felt itself once again in an uproar, potentially getting a glimpse into the music from one of the most anticipated followup albums in years. But things quickly took a polarized turn as many fans clearly
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https://www.youtube.com/watch?v=YS87mPfD_yI&feature=youtu.be Ariel Pink has just shared a fittingly chilling and tragic video for “Picture Me Gone,” taken from his upcoming “solo debut” pom pom. The track might just be Ariel’s most mature and moving track yet, expressing with
