new music
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https://soundcloud.com/ttt-records/no-time-for-the-blues Orville Bateman Neeley (OBN) III has no time for the blues. The Austin frontman is all punk, all day – no bullshit. To call him, with his excited studio persona and writhing stage antics, electrifying would be an understatement; to say his bandmates present a flurry
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https://www.youtube.com/watch?v=8WBYzu1_OqM&feature=youtu.be clipping. is sounding pretty polished on “Work Work,” the lead single from their Sub Pop and studio debut clppng. The harsh noise elements of Midcity are all but gone, but the trio is progressing and maintaining their identity
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https://www.youtube.com/watch?v=I2bMsYb9P-k At long last we have the first single from Swans’ upcoming double album To Be Kind! “A Little God in My Hands” is quite the change of pace coming off thoroughly heavy efforts like The Seer and the limited edition live CD Not
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https://soundcloud.com/innovativeleisure/badbadnotgood-cant-leave-the BADBADNOTGOOD share another piece of original material from their forthcoming third album. “Can’t Leave the Night” doesn’t quite answer the questions that “CS60” left us with, but that arguably makes it all the more compelling. The sounds are still lush as all get
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VIXI by Relic Point Relic Point’s monstrous new LP VIXI is comprised of an hour of sludgy black metal, with elements of drone and doom thrown in for good measure. The Russian outfit proves itself to be adept at crafting downright monolithic pieces, the first two tracks nearing the
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This passionate, smooth little piece of indie rock comes courtesy of Future Islands. Their new single “A Dream of You and Me” has a really appealing sensitivity to it, especially in the lead vocal’s just-on-the-brink-of-quavering sincerity. The bright guitar, bass, and keyboard tones add a playful element to the
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Lykke Li’s sophomore record might have been somewhat infamously spurned here at TND, but we are pretty stoked for her new one! Li has just announced her third LP, I Never Learn, and has released this gorgeous, heartbreaking video for album track “Love Me Like I’m Not Made
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Austere and cold and knotty. These are some words I would use to describe the second track to drop from the new White Hinterland record, Baby. This title track is dramatic, playing with multiple layers of Casey Dienel’s voice (some of which are under some sort of robotic effect)
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A sharp, percussive, repetitive beat and a more-intense-than-usual string progression rule the proceedings on this new Owen Pallett track, taken from his upcoming record In Conflict. The whole thing has much more urgency than a song of his has had in years (“Many Lives -> 49 MP” or the
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Charlift’s Caroline Polachek is releasing her solo debut, Arcadia, this April, except she’s doing it under the alias Ramona Lisa. She has released the title track, and be warned: This is a weird song, with almost nothing to do with her main band’s bouncy electropop. Ice cold
