metal blade
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Three decades into their career, Cannibal Corpse’s classic sound mostly remains intact and high impact.
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Spirituality and Distortion might just be Igorrr’s most uncompromising album so far—for better or worse.
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Death Atlas is weighed down by its more melodic, moodier passages.
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I Loved You at Your Darkest is a solid blackened death metal album that’s occasionally marred by Behemoth overextending itself, or treading the water it waded with The Satanist.
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Despite faltering in its third act, Savage Sinusoid is so far Igorrr’s most palatable blend of breakcore, metal, and baroque sounds.
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Twitching Tongues makes their Metal Blade Records debut with one of the most trying albums I’ve heard this year.
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Deathgrind outfit Cattle Decapitation’s latest record is a deadly combination of technical extremity and human touch.
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Last month, Swedish metal outfit In Solitude put out its third studio album Sister, its most adventurous effort thus far. Case in point: The LP’s third track, “A Buried Sun;” a seven-minute-long piece of that exhibits band’s classic metal throwback sound, but with a welcome infusion of goth
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British doom metal band Moss is gearing up to release their third full-length studio record. Titled Horrible Night, the LP will include this (sort of) title track, “Horrible Nights,” which you can stream above. Look for the album on March 25 in the U.K. and April 2 in North
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Another track drops from the new Goatwhore album, which came out this week on Metal Blade Records. “When Steel and Bone Meet” has some strong thrash riffage, and vocals that cut like the steel mentioned in the song’s title. While it doesn’t contain a whole lot of detail
