live
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Canadian saxophonist Colin Stetson delivers another breathtaking performance for La Blogotheque, featuring two songs from his latest full-length album, New History Warfare Vol. 3: To See More Light. Check a review for the album below:
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Throughout an excellent debut LP and a handful of stellar EPs, Nicolas Jaar has proven himself worthy in a number of roles throughout the past few years: a producer with fine attention to detail, a justifiably patient songwriter, and a seductive singer. His skills extend to a live context as
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A gritty, black & white short film documenting the Clipping. live experience. The California hip hop trio’s harsh approach to hip hop has been turning a lot of heads as of late, and they’re not afraid to share their thoughts, production secrets, and message with the world. The
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Danish punk, post-punk, and noise rock act Iceage releases a session performance of one of my favorite tracks from their latest album, You’re Nothing. Morals” is one of the most ballad-like tracks on the album, and it’s the beautiful piano chords and steady march of the beat that
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Death Grips’ full set at the 1100 Warehouse a few weeks ago during the SXSW festivities. As you may already know, I was down in front for this, and it was intense as hell. Check a review of Death Grips’ latest album here:
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Video of producer / DJ Holly Herndon performing at the Boiler Room. It’s not the most accessible Boiler Room set you’ll see; it actually takes Holly about twelve minutes to present some semblance of a steady beat. However, it’s still pretty awesome to see her perform the mind-bending
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Download: The Avalanches – “Big Tent Set 2006” Enigmatic plunderphonics crew The Avalanches only has one official album under its belt, but it’s a doozy: 2000’s Since I Left You, which many people consider to be a classic in not only the fields of sample-based and dance-oriented music, but
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With the release of NO LOVE DEEP WEB behind them, experimental hip hop outfit Death Grips is keeping fans busy with some live appearances, and this new set of visuals attached to the non-album track “True Vulture.” Director and animator Galen Pehrson developed a pretty twisted set of sights and
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On record, Nicolas Jaar, to put it frankly, strikes me as one of the most interesting figures in electronic music to emerge throughout the past few years. His blend of elements of spacious house music, vivid sample collages, and sultry atmosphere, topped off with his own baritone vocals, hit home
