john maus
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The magical monthly segment where Anthony briefly touches down on a gauntlet of albums he didn’t get a chance to review this past month.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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While it certainly doesn’t seem as official as John Maus’ video for “Head for the Country,” the eerie and sci-fi movie footage strung together in this video seems pretty appropriate for the track “Cop Killer”–admittedly, one of my favs from Maus’ latest LP, which we’ve got an
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MP3 Coming out July 5th on Mexican Summer, Part Time’s debut album, What Would You Say?. Fronted by singer-songwriter David Speck, this release should lovingly seduce the ear drums of anybody who is into the nostalgic hip swaying of Ariel Pink or John Maus. Dig on a video for
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New video for John Maus’ “Head for the Country,” which comes off his latest LP, We Must Become the Pitiless Censors of Ourselves. I reviewed it right here, and look for it now via Upset the Rhythm. Enjoy the snow, light effects, and Robocop.
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On his latest release, John Maus has brought a little more atmosphere into the fold when crafting the odd, bite-sized synth pop nuggets that fill his full-lengths. While tracks like “Believer” feel like grand bedroom rock opuses, other tracks fall by the wayside because of a lack of structure, memorability,
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John Maus is a singer-songwriter and the latest signee to Ribbon Music. He’s laid down two tracks from his forthcoming album, We Must Become The Pitiless Censors Of Ourselves. One is above and one is right here. In regards to “Believer,” I’m believing, I’m believing! This track
