jangle pop
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Hi, everyone. Gigthony Enstano here, the internet's busiest Beach Boys music nerd. We're here today for a review of the new Lemon Twigs album, A Dream is All We Know. Brothers Brian and Michael D'Addario have been crafting their unique blend of '60s
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The Queen Is Dead is rightfully one of the standard-bearers of indie rock and pop.
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Beware of the Dogs is a solid indie rock and pop album thanks to Stella Donnelly’s songwriting personality, though she’s still finding her voice.
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NY pop duo MGMT executes a fantastic return to form with the sounds of synth pop on Little Dark Age.
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Alvvays’ sophomore album offers some of the best dream and jangle pop I’ve heard in years.
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4 years after Beach Fossils’ great sophomore album Clash the Truth, the Brooklyn band has returned with their most lavish effort yet. I can still commend the band for not shamelessly trend-chasing like many of their dreamy, jangly contemporaries, but unfortunately the pastiche of ’60s pop sounds they serve up
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Mac DeMarco matures as a songwriter on This Old Dog, his best album since 2.
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While In Mind is Real Estate’s best-sounding album yet, the band still fails to provide anything beyond the surface of their blissful sound.
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An awesomely gritty piece of jangle pop from Atlanta’s Warehouse. It’s the title track of their sophomore album Super Low, out September 30 via Bayonet.
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The lead track of the upcoming Don’t Hold Anything Back / Eternity 7″ by Danish jangle pop outfit Communions, out September 16 via Fat Possum.