instrumental hip hop
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Imaginarium Revisited by Kratos Himself Here on Imaginarium Revisited, Belgian imprint Urban Waves brings to light two recent EPs from Dutch downtempo beatmaker Kratos Himself. It’s out today.
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The lead single from drummer/producer Deantoni Parks’ debut LP Technoself, out December 4 via Leaving.
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Thot eNhançer (ep/single) by DedekindCut Today, the producer formerly known as Lee Bannon released a new single and EP under the pseudonym DedekindCut. Enjoy Thot eNhançer above and find some quick thoughts on Bannon’s latest project, Pattern of Excel, in this past month’s YUNOREVIEW.
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Stonedstrumentals by Blue Sky Black Death Production duo Blue Sky Black Death has released the instrumentals from January’s Stoned & Dethroned, its fourth collaborative project with rapper Nacho Picaso. Enjoy!
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Self-titled EP from Brooklyn instrumental hip hop duo The Super Nintendo Chalmers. Pretty crude, but nice vibe all the same.
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Captivating set of instrumental hip hop experiments from producer Hanz. Reducer is out via Tri Angle Records and available for free download here (via Hanz’s website).
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https://www.youtube.com/watch?v=qfpm3FOFJtg DOS4GW is an underground beatmaker that has been consistently blowing my mind since 2007. The dark, fierce, electronic noise that has been emanating from his bedroom for the past few years has grown more varied and more interesting with each project, so naturally
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The approach Lone took to his latest record here is shockingly basic, and a disheartening departure from the vibrant, upbeat instrumentals on his last LP.
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https://soundcloud.com/super-best-records/sets/appetite-for-production Brooklyn beatmaker Brian Lindgren, a.k.a. Mux Mool, has a new EP out through Super Best Records that you can listen to and download for free above. The set has an instrumental hip hop vibe and continues Lindgren’s fuxing about with house
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https://soundcloud.com/innovativeleisure/badbadnotgood-cant-leave-the BADBADNOTGOOD share another piece of original material from their forthcoming third album. “Can’t Leave the Night” doesn’t quite answer the questions that “CS60” left us with, but that arguably makes it all the more compelling. The sounds are still lush as all get
