indie
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Vampire Weekend embraces quantity over quality on Father of the Bride.
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Supermarket is Logic’s very own Speedin’ Bullet 2 Heaven.
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Beware of the Dogs is a solid indie rock and pop album thanks to Stella Donnelly’s songwriting personality, though she’s still finding her voice.
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While more worthwhile than Foals’ last few albums, this first half of Everything Not Saved Will Be Lost doesn’t arouse too much excitement for Part 2.
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Gallipoli lacks the romance and wonder that made Beirut great in the first place.
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Why Hasn’t Everything Already Disappeared? is hands-down the blandest entry in Deerhunter’s discography.
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Remind Me Tomorrow is a little all over the place in terms of style and pacing, but is nevertheless another solid set of songs from Sharon Van Etten.
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Sleater-Kinney’s almost-swansong, The Woods, proved to be one of the 2000s’ most badass and essential rock albums.
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The Postal Service’s only album stands as an indietronic masterpiece and one of the best albums of the aughts.
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Hey everyone! It’s list time again. 2018 really flew by. (Can we get that same luxury in ‘19 and ‘20 please, too? Thanks.) Anyway, for this year’s edition of “The TND List You Don’t Really Care About Let’s Be Honest,” I decided to forgo the traditional
