idm
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Blanck Mass’ sophomore LP takes the noisy, texture, drone-laced production of Fuck Buttons, and lays it against a varied series of electronic music styles.
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Electronic music producer Holly Herndon’s latest release here is an expansion of the glitchy and abstract ideas on her last album, tossing some art pop tracks into the mix in the process.
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Super producer Tom Jenkinson releases a series of glitched and overwhelming takes on drum ‘n’ bass, dubstep, and more.
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Clark heads back into familiar territory on his new self-titled album.
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Once fusing electronic music and jazz on fantastic albums such as Isla and their 2012 self-titled LP, Portico Quartet were one of the most interesting modern music groups to come out of the UK. However, the band’s undergone a few major changes as of late: 1. They’re now
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Once fusing electronic music and jazz on fantastic albums such as Isla and their 2012 self-titled LP, Portico Quartet were one of the most interesting modern music groups to come out of the UK. However, the band’s undergone a few major changes as of late: 1. They’re now
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English electronic music producer Christopher Clark just released his latest full-length on Warp Records this month. It’s self-titled. Of the songs I’ve heard thus far, I’m finding it much more experimental and intriguing than his last album, Iradelphic, and “The Grit In The Pearl” is moment that
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Thom Yorke’s latest solo endeavor has an interesting aesthetic, but the appeal of these tracks doesn’t extend too far beyond that.
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Netherlands electronic music duo WEVAL have a new EP on the way via Kompakt titled EASIER. “Gimmie Some” is one of the few cuts from it, and I’m loving the vibe here. The atmosphere surrounding the track is quite haunting, and the beat has a hypnotic, easygoing quality to
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After 13 years of studio album silence, Aphex Twin makes a mild return.