hardcore
-
Demented and hellish, the new Soupcans EP does not mess around.
-
Still by Weekend Nachos Chicago’s Weekend Nachos has never been a favorite of mine when it comes to the heavier side of modern music. I guess I’ve always felt their sound wasn’t that bold; however, it would be a shame not to share their new full-length of
-
Scuzzy garage punkers Soupcans have a new EP out that you can stream via the embed above, and it’s gotta be one of the most manic, filthy, and wild collections of songs I’ve heard in this style in a while. The band holds nothing back with brittle guitars,
-
Fears by Pretty Mouth Toronto experimental rock outfit Pretty Mouth certainly lives up to its creepy name, creating what sounds like a legitimate nightmare on the first track of this new album. While the band does showcase white a bit of influence from grindcore and noise rock, the vocals on
-
While Toxic Holocaust’s latest album is a fast, hard-hitting combination of thrash metal and punk, I think I prefer their earlier releases due to a total lack of surprises and variety on this one.
-
Billy Woods and Elucid team up on Race Music to make one of the most dense hip hop albums to come out this year. With seventeen tracks laced with this duo’s esoteric lyricism, this one’s gonna require quite a few replays for maximum enjoyment and comprehension. A few
-
Crusty, apocalyptic, punk-infused thrash metal act Toxic Holocaust is dropping their next album at the end of October, and I couldn’t be more excited given how hard-hitting all the tracks to drop from it have been thus far. “Out of the Fire” features some gruff vocals, ultra-distorted guitars, enthralling
-
Pusha T drops another track from his forthcoming album, My Name Is My Name, and with tracks like “Sweet Serenade” and “Numbers On the Boards,” this album is shaping up to be the best things G.O.O.D. Music’s has dropped since its inception. As usual, Pusha brings
-
Modern Life Is War’s latest album sounds like the band’s four-year hiatus never really happened. WATCH THE REVIEW
-
This new Dead In the Dirt album features a fantastically heavy mix, making it some of the most pummeling grindcore and powerviolence you’ll hear this year–even if a number of tracks here come off as slightly unmemorable. WATCH THE REVIEW