glitch
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Belgian minimal techno artist Yves De Mey has a new double-LP called Drawn with Shadow Pens coming out January 22 on Spectrum Spools. Here’s its second track.
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現実に戻りなさい (Return to Reality) (ep) by Concrete Virus Nu A cut from 現実に戻りなさい (Return to Reality), a new EP from Japanese glitch-juke producer Concrete Virus Nu (née Nobuyuki Sakuma), out November 10 via Dream Disc.
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Over the weekend, James Ferraro released the above EP War, inspired by a therapeutic VR program for veterans suffering PTSD called “Bravemind.” Ferraro will presumably continue meditating on the theme of cyber violence with his upcoming album Skid Row, out November 13 via Break World.
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Back in June, London-based producer Ash Koosha made his Olde English Spelling Bee debut with GUUD, one of Anthony’s favorite electronic releases so far this year. Now he’s back with a remix for his former labelmate Autre Ne Veut, who’s dropping his third album Age of Transparency
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Baltimore wonky producer Co La has a new album called No No out October 9 via Software. Hear the debut single “Suffering (Tuesday)” above – it’s not as downcast as its title leads on.
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“Manhattan Future Ocean” is the latest apocalyptic ode to New York City from experimental composer/producer and singer-songwriter James Ferraro. A follow-up to 2013’s NYC, Hell 3:00 AM maybe isn’t far off? soon come _ Posted by James Ferraro on Thursday, July 30, 2015
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A Deep Mysterious Tone by AGF & Various The new project from Finland-based electronic music producer and songwriter Antye Greie-Ripatti is a tribute to Japan’s female poets over the centuries, featuring the voices of musicians Tujiko Noriko, Kyoka, Ryoko Akama, and Yu Kawabata, and the only living poet in
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Super producer Tom Jenkinson releases a series of glitched and overwhelming takes on drum ‘n’ bass, dubstep, and more.
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Up-and-coming producer Clarence Clarity take a uniquely dense and cacophonous approach to pop and R&B on his hour-long debut.
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https://soundcloud.com/oneohtrix-point-never/sets/rush-bubs Oneohtrix Point Never has just shared an outtake from R Plus Seven called “Rush,” supplementing it with a short-but-sweet collaborative track with A.G. Cook, founder of London label PC Music, which specializes in a brand of “bubblegum bass” that I’m not sure