pro habitat by ahnnu There are a lot of instrumental beat tapes floating around the internet these days. Despite the abundance of music in this style, it’s pretty common to find either a strong Flying Lotus, J Dilla, or Madlib influence on the typically short tracks. However, Ahnnu seems
experimental
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Fling Lotus drops some new visuals for a track off his forthcoming album, Until the Quiet Comes. Grab it via Warp Records on the first of October.
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Canadian rock upstarts METZ are gearing up to release their self-titled full-length debut via none other than the long-standing Sub Pop Records in October. Following “Headache,” “Wet Blanket” is the second track to drop from the album, and is available to stream above. With plenty of emotion, dissonance, and distortion
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With Bend Beyond, Woods makes the most noticeable change of their past three records with a serious attitude adjustment, presenting more warm, bright, and inviting songs than ever. WATCH THE REVIEW
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On their fourth album, New York black metal outfit delivers roughly the same sound they’ve been working with for the previous three. However, despite the lack of shockingly new ideas, the band proves to hold a lot of compositional power in the methodically fine-tuned progressive black metal style they’
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Still I Hear the Word Progress (ft. Styles P) by Lushlife Admittedly, I’m late on posting about this Lushlife album, Plateau Vision; however, I’m not late on hearing it. I’ve had a promo copy of the album for a while now. I was underwhelmed at first, but
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Stream: Death Grips- “@DEATHGRIPZ” The angriest hip hop outfit known to man, Death Grips, closes out Adult Swim’s summer singles program for 2012. The track is titled after the trio’s twitter handle, “@DEATHGRIPZ,” which, of course, leads me to believe the release of the track is more promotional
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On his latest effort, Dan Deacon starts fleshing his heavily electronic and classically influenced compositions with some top-notch orchestral instrumentation. WATCH THE REVIEW
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Mount Eerie drops the second album that was promised in 2012, and while it is a bit more aggressive than its predecessor, Clear Moon, it’s surprisingly disjointed. WATCH THE REVIEW
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A track off the latest release from Clown and Sunset artist Acid Pauli. If you didn’t already know, Clown and Sunset is a music label spearheaded by sonic adventurer Nicolas Jaar. A lot like Flying Lotus’ Brainfeeder Records, Jaar has been using Clown and Sunset to surround himself in
