experimental
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This is a pen EP by 食品まつり a.k.a foodman Foodman comes through with four more tracks of freaky footwork on today’s This is a pen EP. Happy listening!
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Everybody's A Fuckin Expert by Shit and Shine A cut from London noise rock act Shit and Shine’s new LP Everybody’s a Fuckin Expert (great titles all around!), out September 4 through Editions Mego. Watch the video below:
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Whimsical track from Mutei – Music for Davida Monk’s Dream Pavilion, the new album by Seattle-based prepared-guitarist Bill Horist, out September 4 via Important Records. Enjoy!
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The opening track from improvisational rock duo MANAS’ self-titled debut LP, out September 4 via Feeding Tube. If you dig what you hear, there’s a lot more where that came from on the double-cassette they put out last month: MANAS by MANAS
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Avant-garde artist Sándor Vály and pianist/composer Éva Polgár have reconstructed Karl Georg Zwerenz and Jenő Zádor’s lost opera Die Toteninsel. Finnish label Ektro will release it August 21; check out a track above and enjoy!
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True Neutral Crew/clipping. members Jonathan Snipes, Daveed Diggs, and Signor Benedick the Moor and music video director Carlos Lopez Estrada have again joined forces for a one-off called “12:00am.” Check it out above and enjoy!
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“Manhattan Future Ocean” is the latest apocalyptic ode to New York City from experimental composer/producer and singer-songwriter James Ferraro. A follow-up to 2013’s NYC, Hell 3:00 AM maybe isn’t far off? soon come _ Posted by James Ferraro on Thursday, July 30, 2015
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Ygg huur by Krallice New York experimental black metal outfit Krallice has just self-released a new album called Ygg Huur, seemingly inspired by microtonal composer Giacinto Scelsi. Check it out above and here’s a reminder we loved the band’s last LP:
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NO HISTORY NO FUTURE by Jean-Louis Huhta New album from Swedish punk percussionist-turned electronic experimentalist Jean-Louis Huhta, out via Glistening Examples.
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With the announcement of Moogfest 2016 came Translational Drifts, an EP containing covers of some of the festival’s icons. The standout of this set for us is Moses Sumney’s live and improvised take on Laurie Anderson’s “O Superman”; he miraculously recaptures the wistfulness of the original’s
