emo
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Everybody’s Everything, while a mixed bag, isn’t the tasteless cash grab that posthumous releases these days tend to be.
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Hobo Johnson displays a rare level of vulnerability amid sharp fusions of hip hop, rock, pop, and more.
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Post Malone loses focus on his sophomore album.
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With 93PUNX, Vic Mensa makes a last minute bid for the worst hip hop and rock crossover of the decade.
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To say the least, ! does not follow through on the potential of Trippie Redd’s previous work.
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Aries’ debut project is a solid contribution to the current wave of emo rap.
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Though far from a bad album, Panorama finds La Dispute’s idiosyncratic style becoming an albatross around the band’s neck.
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Following a disappointing comeback album in 2016, American Football shows promise once again with the dreamier LP3.
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Ranking the 13 studio albums by L.A. pop rock band Weezer from worst to best! How deserving is their discography of its spotty reputation?
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Death Race for Love delivers plenty of quality emo raps before succumbing to long album syndrome.
